Sunday, 27 March 2011

Ron Mueck's sculpture and Humanism

I was very lucky to be able to see Ron Muecks’ Sculpture’s at the Christchurch Art Gallery last December. It was so impressive. When I first saw his work, I immediately thought "How can they be so real!" It’s hard to believe that his sculptures are modeled and not cast from life. At first I can't imagine how these works are made. Like other visitors, I was so curious about what material he used. I wanted to touch the sculpture to see if it's real or not, but touching was not allowed. For this reason the gallery offered a small piece of material that visitors were able to touch and feel. While seeing many of his works displayed in the gallery, it was interesting and important to watch the video which recorded the whole working process of some of his sculptures. I can't help thinking how smart he is and how amazing the works are.

Hyper-real means “involving or characterized by particularly realistic graphic representation”. "His massive, hyperreal figures are obsessively detailed, down to every pore and wrinkle." (Pescovitz, D.2010) Human hair is used for the small-scale figures and coarser horse hair or acrylic fibre is used for the larger than life-size figures. All the hairs were attached to pores by clip individually.

He uses all the properties of figurative sculpture (pose, gesture, facial expression, scale and realism) to elicit an empathetic, emotional response from us. (Hartley, 2006) They are all extraordinarily lifelike figures but none of them are life-size, “sometimes colossal, sometimes miniature, which resonate with deep emotion”. (Amor, P., Trudgeon, M. & Cradwick, C. ,2010)

They invite touch as much as looking, and in subverting our expectations about scale, he distances himself from traditional photorealist sculptors like Duane Hanson and pushes us into the more uncomfortable zones of the human condition. (Landi, 2009).

Smaller than life size sculpture:
Dead Dad (1996-97) 20x38x102cm
A smaller than life-size sculpture of the artist's dead father will be displayed on its own "in a shrinelike environment". (Sharpe, 2010).
    Two women 2005 82.6 x 48.7 x 41.5 cm

Drift 2009 118 x 96 x 21 cm
Youth 2009 65 x 28 x 16 cm

Larger than life size sculpture:
A girl 2006 110.5 x 501.0 x 134.5 cm
Still life 2009 215 x 89 x 50 cm

Wild man 2005   285 x 162 x 108 cm
In bed 2005 161.9 x 649.9 x 295.0 cm
 Pregnant woman 2002 252.0 x 73.0 x 68.9 cm

Humanism is a system of thought that considers human beings, rather than the church, as able to decide their own morals, truths and behaviours. “Humanism is a progressive philosophy of life that, without supernaturalism, affirms our ability and responsibility to lead ethical lives of personal fulfillment that aspire to the greater good of humanity.”  (“Humanist Manifesto III”, 2003) An example of Humanism can be seen in the work titled Pregnant Woman. It’s more than 8 feet high. At this size, it is hallucinatory- the human form stretched larger than seems humanly possible. Pregnant woman has been called a modern Mary, a contemporary earth mother and a ‘hymn to the beauty of life-giving’. (Amor, P., Trudgeon, M. & Cradwick, C. ,2010) It’s a beautiful period when women are pregnant. It shows the power of feminality. This work also reminds me of Jan van Eyck’s The Anolfini Portrait. The woman with the face of Mary who looks like she is pregnant. 

In his work, Mueck has dealt with the full cycle of life such as birth, infancy, youth, adolescence, sexual maturity, middle-age, old age and death. (Hartley, 2006)  

 
The sculpture Two Women consists of two elderly women engaging in gossip.  They are whisper to each other and from their sideways glances and conspiratorial expressions we can see they are not entirely benign. Maybe they are talking something bad about their neighbor or they want to see someting bad happen to someone else. There are not sweet, little old ladies but potential mischief-makers. (Hartley, 2006)


References:

Amor, P., Trudgeon, M. & Cradwick, C. (Ed.).(2010). Ron Mueck. Victoria, Australia: National Gallery of Victoria.

Hartley, K. (2006). Ron Mueck. Edinburgh, UK: National Galleries of Scotland. 

Landi, A. (2009). Ron Mueck: Beyond The Movies. Sculpture Review 58(3),  24-31.

Pescovitz, D. (2010) Ron Mueck's Hyperreal Giants. Retrieved January 22, 2010,


Humanist Manifesto III (2003)

5 comments:

  1. Wow!! You were there, thank you for sharing your viewing. If I ever have the opportunity, I’ll go and see them. I’d really like to see a real exhibition because his work reveals so many emotions so these sculptures are some of the most exciting work even though I saw his works only in photo. His works are showing hyperrealism and I think it is over the nature of humanity and it can lead to the emotional inspiration but female’s nude figures are to make me uncomfortable. It may be from my culture. My personal favorite is “A Swaddled Baby”. What about you?

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  2. that is amazing that you got to see them. i like the comparison you made between the pregnant woman and the anolfini portrait and the idea of them being like mary and pregnant. this still shows a link to christianity and the story of mary and the christ child as a link to the church even if they are humanistic and show realism

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  3. I'm very impressed as to how you have laid out your blog post. It is very easy to read and you have laid it out very well. I also agree with what you have said about humanism being progressive

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  4. I really like your blog, its easy to understand and read. also your example and quote are good and interesting. I glad you did well define the humanism and showing how its link with Mueck's art work. I couldnt find it by self:( oh i envy u! u saw real one! lol

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  5. I think that because you had the chance to see the real works, it provides a much more meaningful experience than looking at photos found on the internet especially when Mueck's work aims to create a very surreal experience. A similar experience I had was when there was a Lord of the Rings exhibition at Te Papa in Wellington and they had a replica body of one of the characters on display. Because it looked so real it always seemed like the body would open it's eyes at any minute.

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